PARTILHAR (320 Kbps)
segunda-feira, 30 de abril de 2012
quinta-feira, 26 de abril de 2012
terça-feira, 24 de abril de 2012
segunda-feira, 23 de abril de 2012
sábado, 21 de abril de 2012
quarta-feira, 18 de abril de 2012
segunda-feira, 16 de abril de 2012
Handwrist - Handwrist [EP 2012]
YANDEX (320 Kbps)
grunge metal, rock, alternative rock, grunge, grunge rock, grunge rock alternative, jazzfusion, portugal, post rock, post-hardcore, post-metal, progressive metal, progressive rock, psychedelic rock, Lisbon
domingo, 15 de abril de 2012
Maria João | OGRE - Electrodoméstico [2012]
YANDEX (320 Kbps) Size:123.7 MB
OGRE is Maria João's latest adventure - a hybrid of jazz and electronic music.
An unusual instrumental line-up and an outside-the-box approach takes audiences on a trip through a world of sounds, criss-crossing the borders between digital and analogue. Maria João's voice will be your guide.
[PT]
OGRE é o projecto mais actual de Maria João, co-imaginado com o pianista João Farinha que se destaca por uma instrumentação invulgar e uma abordagem criativa à música sem nunca perder a identidade forte que a cantora nos habituou, desde improvisos energéticos a baladas que deixam uma sala a suster a respiração. Tudo seria impossível sem o especialista em electrónica André Nascimento e dois músicos do panorama jazz nacional que dispensam apresentações, Júlio Resende e Joel Silva.
released April 15, 2012
Maria João - Vocals
João Farinha - Fender Rhodes / Synthesizers
André Nascimento - Laptop Electronics, Keyboards
Júlio Resende - Piano
Joel Silva - Drums
Recorded and Mastered @ Valentim de Carvalho, Lisbon by Nelson Carvalho
Photographs by Hervé Hette
Album artwork and design by Jonas Granch
jazz maria joão electronica jazz and improvised music ogre Lisboa
Labels:
andré nascimento,
joão farinha,
joel silva,
júlio resende,
maria joão,
ogre
quinta-feira, 12 de abril de 2012
quarta-feira, 11 de abril de 2012
Kiko & the Jazz Refugees - L'USA [2012] [Reedição 2020]
YANDEX (192 Kbps) Size:81.4 MB
released April 11, 2020
“L’USA”
Kiko & the Jazz Refugees
Kiko Pereira : Vocals
Telmo Marques: Hammond, Rhodes
Hugo Raro: Piano
AP Neves: Guitar
Carl Minnemann: Double Bass
Bruno Pedroso: Drums
Guests:
Rita Martins: Vocals (#11)
Nuno Ferreira: Guitar (#1)
Carlos Mendes: Guitar (#11)
António Mão de Ferro: Guitar (#10)
Rui Teixeira : Baritone (# 4, 5, 8) and Alto Sax (# 6)
Zé Pedro Coelho : Tenor Sax (#4, 8)
Gileno Santana : Trompete e Flugel (# 4, 8)
Andres “Pancho” Tarabbia : Percussion (# 3)
1 - Good Times 6:49
(Kiko Pereira)
2 - Anger Sold 6:29
(Kiko Pereira, “The Genius of the Crowd” Charles Bukovsky)
3 - Redemption (Prison Blues) 5:16
(Kiko Pereira)
4 - Subliminal French 6:26
(Music Telmo Marques, Kiko Periera; Lyrics Kiko Pereira)
5 - Point of View 5:18
(Kiko Pereira)
6 - Brother can you spare a dime 7:20
(Music Jay Gorney Lyrics Yip Harburg)
7 - Acaba dito 5:54
(Kiko Pereira)
8 – Drop 5:28
(Kiko Pereira)
9 - Depois (à noite) 4:12
(Kiko Pereira)
10 – Tired 3:15
(Music António Mão de Ferro, Kiko Pereira; Lyrics Kiko Pereira)
11 – Sábado 3:44
(Music Filipe Melo; Lyrics Kiko Pereira, Rui Babine)
Horn arrangments: Sublimanal French by Telmo Marques / Drop by Hugo Raro/Kiko Pereira
Produced by Kiko Pereira / Recorded July 2010 at Boom Studios by Mário Pereira / Keyboards and Horns recorded by André Indiana at A.I. Studios /
Vocals recorded by Mário Barreiros at Estúdio do Mar / Mixed by André Indiana at A.I. Studios / Mastered by Rui Guerreiro / Cover Design dsf / Photos by Anabela Trindade
jazz soul blues bluesy improvisation jazz nu-jazz vocal jazz Porto
terça-feira, 10 de abril de 2012
domingo, 8 de abril de 2012
Pão (Tiago Sousa, Pedro Sousa, Travassos) - Pão [2012]
DESCARGA (320 Kbps)
The first released document by the trio PÃO is an invaluable addition to the present day vitality of the creative music scene in the city, illustrating the recent but increasingly focused collaboration between three of Lisbon’s finest music makers of today.
Travassos (on electronics, tapes and object manipulation) has been, for the past years, one of the pivotal agitators in the local improvised music scene, both as a performer and as an organizer, while Tiago Sousa (organ, harmonium) has been steadily building a fantastic career as a composer and pianist, pushing forth the boundaries between improvisation and composition, between (non) academic classicism and do-it-yourself expression. Pedro Sousa (tenor sax), in its turn, is hailed as one of the last few years revelations, his fiery blowing in the duo with drummer and percussionist Gabriel Ferrandini standing out amongst his many collaborations.
The trio’s music is a sound continuum falling somewhere between the intersection of La Monte Young’s brand of eternal music and the tense interplay and occasional outbursts present in many of European free-improvisation’s landmarks, all the while permeated by a sense of expansion and peaking, and by the constant addition and subtraction of elements over an always present layer of silent crudity.
There is a strong melodic feel, though, courtesy of the foundational presence of the harmonium and the restraint displayed almost throughout by Pedro Sousa’s tenor, coupled with the textured, organic layers coming out from Travasso’s electronics.
Melody, though somber and occasionally harsh, is indeed a key concept in these three long tracks that point out interesting new directions for drone music, nearsilence improvisation and free-form jazz-infused explorations. Pão’s language, though subject, due to its openness, to future change and development, is already serenely but powerfully established.
lançado em 1 de abril de 2012
Recorded at Golden Pony Studios by Pedro Magalhães, November 2010
Mixed by Vitor Lopes / Mastered by Carlos Nascimento / Produced by Pão
Executive production by Trem Azul and Shhpuma / Design and artwork by Travassos
Notes by Rui Dâmaso
jazz shhupma ambient ambient electronic circuit bending drone harmonium improvisation pao pão saxophone synth synthesizer Lisbon
terça-feira, 3 de abril de 2012
segunda-feira, 2 de abril de 2012
domingo, 1 de abril de 2012
Subscrever:
Mensagens (Atom)
PARA ABRIR E FECHAR O ARQUIVO DO BLOGUE, CLICAR NOS TRIÂNGULOS PEQUENOS QUE ANTECEDEM AS DATAS:
Arquivo do blogue
-
▼
2012
(205)
-
▼
abril
(24)
- Os Pontos Negros - Soba Lobi [2012]
- Lagarto - Lagarto [2012]
- Tertúlia dos Assassinos - Tombo Primeiro [2012]
- SuperNada - Nada é Possível [2012]
- Albaluna - Marca Antiga [2012]
- Coreto - Aljamia [2012]
- Handwrist - Handwrist [EP 2012]
- Capicua - Capicua [2012]
- Maria João | OGRE - Electrodoméstico [2012]
- Barca do Inferno - 1994 [2012]
- Balla - Redux [2012]
- Kotebel - Concerto for Piano and Electric Ensemble...
- Trêsporcento - Quadro [2012]
- Bicho do Mato - Bicho do Mato [EP 2012]
- Kiko & the Jazz Refugees - L'USA [2012] [Reedição ...
- Os Quais - Pop é o Contrário de Pop [2012]
- Pão (Tiago Sousa, Pedro Sousa, Travassos) - Pão [2...
- Fado ao Centro - Fado de Coimbra: Fado & Guitarrad...
- Via Sacra - The Road [2012]
- Various - Hellcome to Portugal: A Sample of the Po...
- Maria João Pires & Carlos do Carmo [2012]
- The Black Mamba - The Black Mamba [2012]
- Lello Perdido - No Museu do Fado [2012]
- Rui Veloso - Rui Veloso e Amigos [2012]
-
▼
abril
(24)


















