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Mostrar mensagens com a etiqueta joana gama. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta joana gama. Mostrar todas as mensagens

domingo, 18 de janeiro de 2026

Vukosavljević - A Mind in the Heart [2026]


DESCARGA (320 Kbps)

a mind in the heart is the third album by Serbian-born, Netherlands-based composer Ivan Vukosavljević, officially released on January 16, 2026. 
Album Overview
The work is a collaboration with Portuguese pianist Joana Gama and was released through the TRPTK label. It is a solo piano piece consisting of eight movements. 
Inspiration: The composition is deeply influenced by the melodic and spiritual qualities of medieval Serbian Orthodox Christian chants and sacred music from Vukosavljević's homeland.
Style: It blends contemporary music with classical piano, drone-like horizontal melodies, and the improvisational character of semi-unmeasured chants.
Media: A single and accompanying music video for the track "for Nata" was released in late 2025 to promote the album. 
Premiere and Performances
The album's world premiere took place on January 17, 2026, at the Musical Utopias #8 festival (The Nature Edition). 
Venue: Korzo Theater, Den Haag (The Hague), Netherlands.
Performer: Joana Gama performed the entire album live as part of the festival's Saturday evening program. 
Technical Details
The album was recorded at Westvest90 in Schiedam and produced by Brendon Heinst. It is available in various high-fidelity and spatial audio formats (DXD, DSD, Dolby Atmos) via NativeDSD and the TRPTK shop.

quinta-feira, 6 de fevereiro de 2025

Joana Gama & Luís Fernandes - Strata [2025]


DESCARGA (320 Kbps)

Ten years on, Joana Gama and Luís Fernandes show no signs of slowing down. Over the past decade, the duo has released five albums, composed soundtracks for film and television, and created pieces for performing arts. With “Strata”, they embark on a bold exploration of their musical identity, breaking new ground by seeking the primordial, the raw, and forging a deeper creative synergy. This evolution makes their music feel less like a conversation and more like a unified, introspective monologue.
Until now, their work has largely been defined by dialogue—a dynamic exchange of ideas evident in their earlier records. However, in their relentless drive to push boundaries, they now turn inward, embracing a monologue as a pathway for growth, innovation, and celebration of their journey so far. Two key elements shape this transition: Joana’s growing affinity for synthesizers over piano, a direction initiated in “There’s no knowing”, and her integration of field recordings gathered from diverse locations around the world. Rather than stepping into each other’s domain, the duo finds common ground, creating music that thrives on harmony and introspection.
“Strata” stands as Joana and Luís's quieter and most cohesive record to date. It reflects their desire to craft music that resonates with the natural world, unfolding as a seamless stream of sound that enhances their connection and invites the listener into their creative process. While their previous works were compelling, they often felt distant, as if the listener was observing from the sidelines. “Strata”, by contrast, draws the listener in, encouraging them to fill the spaces and find their own place within the duo’s monologue.
This process climaxes in the closing track, "Geode," where the subtle sounds of debris underscore the tightly woven structure of “Strata”. It’s a testament to the duo's commitment to evolution and their ability to surprise both themselves and their audience. A decade into their collaboration, “Strata” reaffirms Joana and Luís's creative vitality, offering a record that feels both fresh and deeply rooted in their artistic vision. 

lançado em 31 de janeiro de 2025

Music composed by Joana Gama & Luís Fernandes
Joana Gama: piano, synthesizer, field recordings
Luís Fernandes: electronics, field recordings

Piano and amplified electronics recorded at Arda Recorders by João Brandão

Recorded and mixed by Luís Fernandes
Mastered by Taylor Deupree
Cover photo by Eduardo Brito
Design by André Covas

Supported by Casa das Artes de Famalicão, Culturgest, Teatro das Figuras, Teatro Municipal do Porto, Theatro Gil Vicente

braga classical contemporary electronic experimental holuzam joana gama joana gama & luís fernandes luís fernandes modern classical Portugal

sábado, 31 de agosto de 2024

Joana Gama - Kora [2024]


DESCARGA (320 Kbps)

This piece is part of the original soundtrack composed and performed by pianist Joana Gama for the film KORA by Portuguese director Cláudia Varejão.

lançado em 30 de agosto de 2024

Released on the day of the première of the film KORA at Giornate degli Autori / La Biennale do Venezia | www.giornatedegliautori.com/en/program/kora-eng/

Composed and performed by Joana Gama (piano)
Recorded at Arda Recorders
Mixed by Luís Fernandes
Mastered by Taylor Deupree
Cover design by Ilhas
Film produced by Terratreme

sábado, 19 de novembro de 2022

Vítor Rua, Joana Gama - Home Sweet Sound [2022]


YANDEX (192 Kbps)

“Home Sweet Sound”, 2019

(Teatro Musical: para uma performer pianista, melódica, metrónomo, electrónica em tempo-real, objectos do dia-a-dia, suporte digital)

O encontro entre Joana Gama e Vítor Rua é uma viagem idiomática, painel de linguagens entre os tutti; a variação e a multiplicidade idioletal torna insusceptível qualquer classificação estilística e tipológica unívoca, pois é uma montagem heterofónica; é um fluxo descontínuo e desconstrutivo, com diferenciadas frentes idioletais e idiomáticas.
O idioleto, ou seja, o discurso singular e privado destes músicos, é uma função esquizóide, impõe o seu selo a toda a sintomatologia, exibe um código, privado e independente, de um só locutor, emerge da significação catártica da experiência musical.

"…tic-tac…tic-tac…tic-tac…tic-tac… trrrrrrriiiiiimmmm… home sweet sound retrata vinte e quatro horas da vida de uma pianista do século XXI; a sua casa (“home”) é o piano de cauda; o seu som (“sound”) é a sua Vida: acordar, calistenias, estudo, invenção, improvisação, alimentação, ensaio, diversão, concerto, sono; no decurso do seu “dia” assistimos a uma simbiose do piano com instrumentos electrónicos da nossa época; o corpo e mente da pianista “dividem-se” e uma parte é analógica e outra é digital; esquerda & direita; razão e intuição; tonal e atonal; ruído e silêncio; preto e branco; home sweet sound não tem início: apenas começa; e não tem fim: apenas termina; …tic-tac…tic-tac…tic-tac…tic-tac…" 

released April 4, 2022

Ficha artística/ técnica Composição & encenação & luz & vídeo: Vítor Rua / Piano, melódica, electrónica e performance & co-criação: Joana Gama / Apoio à residência: Musibéria / Co-produção: Circular Associação Cultural /

experimental rock electronic jazz modern classical pop Lisbon

sexta-feira, 22 de abril de 2022

Joana Gama, Angelica Salvi, Adolfo Luxúria Canibal, Haarvöl - Três Tempos [2022]


YANDEX (192 Kbps)

Esfera é um projeto com direção e curadoria de André Tentugal e Henrique Amaro que foi desenvolvido no sentido de criar soluções de gravação, edição e comunicação de novos fonogramas, promovendo também a proximidade entre músicos que, em muitos casos, nunca antes tinham trabalhado juntos.

Para cumprir este objetivo, foi desenhado um plano que contempla várias etapas entre gravação, mistura e masterização de temas desenvolvidas num processo de residência artística no Estúdio Arda Recorders (Campanhã, Porto) durante 3 dias.

Com a premissa de juntar nomes da música portuguesa que ainda não se tinham encontrado em estúdio, participam deste projeto artistas de vários quadrantes e géneros do universo musical nacional, representando a qualidade e diversidade que pretendem marcar o Esfera: Miramar (dupla que junta Frankie Chavez e Peixe) com JP Simões, Sensible Soccers com Carlos Maria Trindade, os Mão Morta com Pedro Sousa, Joana Gama com Angelica Salvi, Adolfo Luxúria Canibal e Haarvol, Manel Cruz com Miguel Ramos e André Tentugal.

O resultado destes encontros em estúdio foi a gravação de 2 ou mais temas inéditos de cada um dos grupos de artistas. Terminado o processo criativo em estúdio e de tratamento de som, é agora editada uma coleção com todas as gravações.

As edições físicas são individuais e dedicadas a cada um dos participantes em vinil. A comercialização será feita individualmente pelos artistas e bandas.

A 15 de abril estas edições inéditas chegam também a todas as plataformas digitais e podem ser acedidas nas páginas de artista de cada um dos projetos envolvidos.

O design gráfico do projeto e a sua identidade visual é da autoria do Studio Dobra.

Todos os temas gravados têm também videoclipes, a divulgar em breve, realizados por André Tentugal que acompanhou todas as sessões em estúdio com os vários músicos e realizou o curto vídeo aqui apresentado, retratando um pouco do ambiente vivido nestas sessões assim como o processo criativo de cada grupo.

O Esfera conta com o apoio do programa Garantir Cultura, promovido pelo Ministério da Cultura em 2021. 

released April 15, 2022

CURADORIA: Henrique Amaro e André Tentúgal
DESIGN GRÁFICO: Dobra
GRAVADO E MISTURADO POR: João Brandão / Arda Recorders
MASTERIZADO POR: MIGUEL PINHEIRO MARQUES NA ARDA RECORDERS
ASSISTIDO POR: Bárbara Santos
PRODUZIDO POR: Joana Gama

//

INDIGO
Joana Gama, piano
Angelica Salvi, harpa

COISAS DE TEATRO
Joana Gama, piano
Adolfo Luxúria Canibal, voz

A Step Towards Imagining
Joana Gama, piano
Haarvöl, electrónica

classical Portugal

domingo, 13 de fevereiro de 2022

Joana Gama & Luís Fernandes - There's no knowing [2022]


YANDEX (192 Kbps)

"Starting with an open dialogue seems like a good way to approach a collaboration. Almost a decade ago, that’s how Joana Gama (piano) and Luís Fernandes (electronics) started to work together, and both quickly understood that it was an ideal moment to develop and explore new paths in their music. “There’s no knowing” is their fifth album, 50 minute piece in which the two artists' have a dialogue while interacting with the void and silence around them.

The origin of this work explains the frequent tension in this piece; Invited by Nuno M. Cardoso to compose the soundtrack for a TV series, “Cassandra”, Joana and Luís found themselves with the material and inspiration to extend this work into a long piece. At times, “There’s no knowing” feels like a tense and knife cutting soundtrack to a thriller. Joana’s tempo adds to a well-architected sound-design by Luís that pushes the boundaries of what the duo can achieve. The ambition, always present in their music, provides a fascinating backdrop - the focus in the moment coupled with the feeling of latent anxiety pushing each other to their limits.That tremendous momentum can be felt while listening to any of their records. As they push each other, we are invited to other realms of contemporary electronics and modern classical. “There’s no knowing” is their finest to date. But that’s no surprise, their work is based on that continuous progression."

released January 20, 2022

Music composed by Joana Gama and Luís Fernandes
Joana Gama: Piano, MS20
Luís Fernandes: Electronics
Engineering and mixing: Luís Fernandes
Mastering: Taylor Deupree
Design: Marta Ramos
Recorded at Centro Cultural Vila Flor, Guimarães
Supported by Culturgest, Centro Cultura Vila Flor, Cineteatro Louletano, Centro de Arte de Ovar, Casa das Artes de Famalicão and Theatro Circo

contemporary contemporary classical electronic experimental piano Lisbon

quarta-feira, 22 de dezembro de 2021

sexta-feira, 2 de abril de 2021

Elementus Musicalis Plays João Godinho e Joana Gama [2021]


YANDEX (320 Kbps)

released April 2, 2021

experimental amadora audacity experimental joana gama joão godinho lmms portugal Amadora

domingo, 3 de maio de 2020

Drumming GP, Joana Gama, Luís Fernandes - Textures & Lines [2020]


YANDEX (192 Kbps) Size:67.1 MB LINK CORRIGIDO

NOTA: FAIXAS 1 e 4 IGUAIS NO BANDCAMP. TIVE QUE IR BUSCAR A FAIXA 1 CORRECTA AO SPOTIFY. ERRARE HUMANUM EST 😁

"Textures & Lines" started as an invitation by Portuguese ensemble Drumming GP to work with the duo Joana Gama & Luís Fernandes. Joana's piano and Luís's electronics find new territories in a mix of subtle and raw use of percussions. In four pieces they defy the limits of classical contemporary music and create a landscape that evolves in each listening.

Joana Gama - Piano, Percussion
João Dias - Percussion
João Miguel Braga Simões - Percussion
Luis Fernandes - Electronics, Percussion
Miquel Bernat - Percussion

Composed and performed by Joana Gama, João Dias, João Miguel Braga Simões, Luís Fernandes and Miquel Bernat
Recorded by Süse Ribeiro
Mixed by Luís Fernandes
Mastered by Süse Ribeiro

Design by Isabel Lucena
Inlay images by Pedro Maia

This record was possible due to the support of Campo Aberto - Residências Artísticas da Câmara Municipal do Porto and Teatro Campo Alegre.

released May 1, 2020

classical experimental Portugal

Rafael Toral - AER 7 G • Instruments [2020]


YANDEX (192 Kbps) Size:97.9 MB

"In the wake of producing "Constellation in Still Time", i mixed the individual instrument parts into single-instrument versions. This is the complete set of recorded material for "AER 7 G", except the harpsichord version which is not included in the CD (a clavinet recording was used instead)."

released April 6, 2020

Angélica Salvi: Harp
Joana Bagulho: Harsichord
Joana Gama: Piano
Luís Bittencourt: Vibraphone
Rafael Toral: Computer Sinewaves
Riccardo Dillon Wanke: Rhodes Piano

Produced by Rafael Toral

aer 7 ambient angélica salvi constellation in still time electronic joana bagulho joana gama rafael toral ambient experimental electronic improvised music jazz and improvised music post-free jazz Coja

Rafael Toral & Joana Gama - AER 7 D [2020]


YANDEX (192 Kbps) Size:17.4 MB

"AER 7 (the record's only track) is a piece i wrote in 1990, of which a guitar version is included in my debut album, Sound Mind Sound Body, released two years later. It was a move from the earlier "AER" pieces i made from 1987 to 1990, normally done with a drone guitar sound in a shifting, layered structure. AER 7 has a similar kind of structure but it was a departure in the sense that i replaced solid sound with empty space.

I have always regarded AER 7 as a melodic generator, or "generative", a word i would learn later on. It's written in a way that prevents repetition and generates unpredictable results, apart from the pace and the set of notes. I've always been fascinated by Webern's "klangfarbenmelodie" idea and the way the aleatoric melodic line is distributed among different instruments may be a modest reflection of that. Written in my early years, it also shows deep interest in John Cage's composition methods and my involvement with Ambient music.

This is the piano version, beautifully performed by Joana Gama."

[Rafael Toral, April 2020]

released May 1, 2020

Composed and produced by Rafael Toral
Joana Gama, piano

classical ambient Portugal

segunda-feira, 27 de abril de 2020

Joana Gama - Arcueil [2020]


YANDEX (192 Kbps) Size:84.9 MB

Arcueil is the latest album by Portuguese pianist Joana Gama. This is the second chapter of her work on Erik Satie, as it follows SATIE.150 (2017). In this album Satie's work is interspersed with that of composers such as John Cage, Morton Feldman, Federico Mompou, Marco Franco and Vitor Rua and in the book, the works are accompanied by extra-musical references and original artwork by Marco Franco, Ricardo Jacinto, André Laranjinha, Nuno Moura, Tiago Cutileiro and Vítor Rua. This edition is supported by the GDA Foundation, CESEM, Fundació Frederic Mompou and Antena 2.

released April 26, 2020

classical classical music modern classical Portugal

terça-feira, 17 de abril de 2018

Joana Gama I Luís Fernandes - At The Still Point Of The Turning World [2018]


PARTILHAR (320 Kbps)

domingo, 26 de novembro de 2017

quinta-feira, 11 de maio de 2017

Joana Gama - Satie.150 [2017]


PARTILHAR (320 Kbps)

segunda-feira, 10 de fevereiro de 2014

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